When to shelve your manuscript (and when to just take a break)

Does anyone else find it almost impossible to DNF a book?

What about you, writers, how hard is it to abandon a manuscript you’ve worked on for a long time, but know will never be ready for publishing? Or even, that you’ve simply fallen out of love with?

There’s this concept called the sunk cost fallacy, and I think a lot of us can identify with it. In a nutshell, it means you refuse to give up on something, even when it’s terrible or has come to its natural end, because you think the time and energy you put into it so far will have been wasted if you quit.

It’s used a lot to explain why people stay in relationships and jobs that no longer serve them or make them happy. But it also applies to your creative projects and WIPs.

So, how do you decide when it’s time to abandon your current novel and start working on something new?

Should you shelve your current WIP?

There are a few questions you could ask yourself to determine if it’s time to move on from that book you’ve been writing for years, or that hasn’t gotten any requests from agents or publishers:

  • Are you hoping to publish it one day, or are you just writing it for fun? (There’s nothing wrong with writing something you’re passionate about but have no intention of sharing, it’s good to have a comfort WIP you can turn to when you need a break)
  • Does it fit into a recognisable genre and have clear comparative titles?
  • Is the genre you’re writing in selling/popular right now? (If not, it doesn’t automatically mean you should abandon your WIP, trends come back around and it could be the next big thing!)
  • Have you had beta readers and editors look at it, and did they enjoy it?
  • Do you feel as though there’s still work to be done, revisions and edits that will make your story better? (If you feel like you’ve done everything you can and the story still isn’t working, it might be time to shelve the MS)
  • Do you enjoy working on your story? Do you fall asleep thinking about it and daydream your way through the work day, jotting down snippets of dialogue and ideas for plot twists? (Then it’s probably not quite time to abandon your story! Another round of betas might help you get closer to being publication ready)
  • Is there another idea or plot bunny that’s been nagging at your brain? (You’re not alone, we all get shiny new ideas, but if you give up on your current WIP every time you get a new plot bunny you’ll never finish a book, so make all the notes you want, and then get back to your WIP!)

We all hit road bumps in our writing journeys, and some days getting the words down is like pulling teeth, because writing is hard. It is hard. But we’re all in this together, even when writing feels lonely, there’s a whole community of us out here who you can reach out to for support and encouragement.

And even if you shelve an MS, that doesn’t mean you can’t take it back out months or even years later, dust it off, and get it ready for the world to read. We need your stories!

Lyndsey

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Interview: Asian mythology and folklore inspired author Xander Cross

Hi friends! I hope you’re having a fabulous February so far, I’m currently flying solo while my husband is in Scotland for work, it’s like a little refresher course before he goes on deployment to Qatar later this year (coincidentally right when the World Cup happens to be on…)

In case you missed it, my second book, The Solitary King came out on 31 January and it’s been so much fun seeing everyone’s posts as the book has arrived, and the handful of reviews that have come in so far.

I’ve got two more short stories coming out in charity anthologies this year, Once Upon a Name and Enchanted Forests. Today, I want to introduce you to one of my EF coauthors, Xander Cross!

Hi Xander! Thanks for chatting with me. Can you tell us a little about yourself?

My name is Xander Cross, and I live a rather quiet life with my spouse in Maryland. I have a bad habit of writing mythological fiction that is politically charged, and I practice Soto Zen with Taoist influence. I have a deep love of Eastern philosophy, and I obsess over gongfu tea. Currently, I’m learning Chinese. 

That sounds so interesting! I travelled around East Asia a few years ago and absolutely loved it, especially Singapore. The street food is incredible! So, when did you start writing and who encouraged you?

I started writing when I was six. No one encouraged or discouraged me. I have always liked to read and make up stories to entertain myself. 

Six, wow, so it’s been a lifelong creative passion! And what are your favourite kind of stories to read and write?

I love books with conspiracies and puzzles and Easter eggs, where I can tell the author really worked it through, loved the story, and trusted the audience to leave a breadcrumb trail for them. Stories like that excite my imagination, and that’s what I try to deliver for my audience, just because I think it’s so much fun and awesome!

I love a good bit of foreshadowing, especially when it turns out unexpectedly but still feels credible. Tell us about your published books.

My series, “The Atlas Dystopia Apocalyptica” is an Action/Adventure/Supernatural series that begins in the 22nd Century and goes well beyond. Beginning with The Origin of the White Wind, the first half of my book series begins in a Far Eastern dystopia, the world on the brink of apocalypse by human greed and mismanagement, the second half to follow life post-apocalypse. Our anti-hero, Hayate, is a fallen divine messenger of Inari Okami, and we follow his adventures as he turns from angel to demon, and moves from a bleak life off-grid into a cyberpunk megapolis to prevent his starvation. In New Tokyo, we enter a dark, neon world of shadows and monsters, some of whom are fighting to save what is left of the planet. 

My latest book was released last October, which is the sequel to Origin, entitled The Dragon Game. I hope to release The Onmyōji Gambit late this year or early next. 

That sounds absolutely incredible! And so original. Where do you find inspiration for your characters or settings?

Usually an image takes my fancy, and from that it grows in my psyche until I have to make a character, and from that character grows relationships and interactions in a complimentary world, until a plot evolves. Folklore and mythology are pitted against human nature and politics, because I believe that from such themes, great epics emerge. 

The inspiration for The Atlas Dystopia Apocalyptica is based on Japanese folklore.

I haven’t read many Japanese inspired novels, I’m looking forward to reading it! Do you consider yourself a plotter, pantser or plantser?

I am a proud plantser. I plot a series to the end, and leave myself room for creative inspiration between the main scenes. 

That sounds like the perfect writing method to me, I love a loose plan with room to wander off track. What are you working on right now?

I’m about to edit Book Three, The Onmyoji Gambit, of my current series, The Atlas Dystopia Apocalyptica. I’m hoping to begin recording Book One next month for a possible audio. I have a trunked trilogy I need to dust off soon, Book Four to begin writing for November NaNoWriMo, and complete a short story for this amazing anthology (Enchanted Forests), of which I am deeply honored to take part. 

I’m really excited about our anthology, and so proud of our mission to raise funds for the Rainforest Foundation. What one piece of advice would you give aspiring authors?

Let go of perfection on that first draft and learn to take joy in the editing process. It’s in the edits that the magic really happens. 

I definitely need to take your advice and learn to enjoy editing, it’s my most hater part of the process! That was so much fun, thank you for speaking to me and sharing your journey and advice. Before I let you go, how can we find out more about you and your books?

Please visit my website, listed below! There are pictures of a grown man wearing ears and a tail — how can you not be entertained? Granted, I need to update the darn thing soon. I will, just as soon as I get through my next edit of The Onmyōji Gambit. Maybe sooner, but probably not. 

Website: www.ayakashifox.com

Instagram: https://www.instagram.com/ayakashi_fox/

Facebook page/group:   https://www.facebook.com/ayakashifoxstudios/


If you’re a fan of Asian inspired speculative fiction, then you’ll definitely want to check out Xander’s books and follow him online! And don’t forget to preorder your copy of Enchanted Forests, where you can read Xander’s story, Pingguo and the Dead Forest, as well as mine, One Fair Eve, and ten more awesome fantasy stories by USA Today bestselling, award-winning, and up-and-coming authors.

Happ reading!

Lyndsey

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The Solitary King is out now!

My second book baby, The Solitary King, has been out in the world for over a week now, and I’m so proud of how much this little book has achieved so far!

Over sixty preorders for the Kindle ebook, plus over thirty copies sold of all three formats since 31 Jan, and hundreds of pages read in KU. And already a handful of lovely reviews on Amazon and Goodreads. I can’t thank everyone who has bought or borrowed this book enough, I know it’s only my second published book but this launch has surpassed anything I could ever have imagined. I’m so glad everyone is enjoying Aria and Xander’s story!

If you haven’t read book one, The Fair Queen, yet you can get it here.

If you do read The Fair Chronicles, I’d really appreciate if you could leave a quick review on Amazon. It doesn’t have to be long, but reviews are so important for authors, especially us indie authors, and help us to reach new readers.

Thank you so much for supporting me on this crazy self publishing journey! I couldn’t do it without you.

Lyndsey x