The one writing podcast you need

I’ve been a podcast addict for a few years now. If you’re sceptical, don’t worry, you’re not alone. I don’t particularly like listening to the radio because I just want to hear my favourite songs, I don’t need all the inane chatter – so when it came to podcasts, I assumed that’s all it would be. That, or dry topics like politics. Nothing that would interest a creative type like me. *flicks hair*

Reader, I was so wrong.

A brief history of my love for podcasts

The first podcast I ever listened to, and still my number one, is My Favorite Murder. If you’re into true crime, with a side of humour and heartwarming honesty, you should definitely give it a listen. It was recommended to me by a friend and after just a few episodes I was hooked. The hosts are incredibly open and honest about their past struggles with addiction, mental health problems, and their advocacy for therapy as self care. They’ve raised hundreds of thousands of dollars for causes like End the Backlog and helped raise awareness of some really important issues, with their signature mix of humour and heart. I’ve been to see Karen and Georgia live twice now and am the proud owner of a “Here’s the thing” mug and t shirt. (SSDGM to any fellow Murderinos out there.)

The next podcast I came across was the aptly named My Dad Wrote a Porno. I think it was Samantha Shannon on Twitter that first introduced me to this one, and when I saw several other well-known authors tweeting about it I knew I had to check it out. Essentially, Jamie’s dad writes erotic adult novels under the pseudonym Rocky Flintstone (they’re real, you can buy the ebooks), and his son reads them aloud on air, a chapter at a time, while his two friends and co-hosts poke fun at the cringe-worthy writing. It’s hilarious and a great lesson in how not to write, but as the presenter is the author’s son, it’s all in the name of good fun.

Since then, I’ve discovered lots of other favourite podcasts from recommendations by friends and people I follow online, including:

  • Crime Junkie – straight up true crime covering cold cases and under-reported crimes, plus its spin-offs Red Ball and Full Body Chills
  • The Murder Squad – crowd sourced investigations, helping give John & Jane Doe’s their names back and solving cold cases through web sleuthing
  • Happy Place – mental wellbeing and self care chats with Fearne Cotton and other famous folk
  • Ctrl Alt Delete – conversations about careers, business and growing up online with the “internet generation”
  • Is this Working? – a look at the modern day world of work and how it has changed, and how we can make it work for us

But the real reason why I’m shouting in your face about podcasts today is this…

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88 Cups of Tea

Never heard of the 88 Cups of Tea podcast? If you’re a storyteller of any kind, you need to rectify that immediately.

88 Cups of Tea is hosted by Yin Chang, an actress and writer from the US, who interviews authors, screenwriters, agents and other figures from the publishing and entertainment industries. If you have a favourite author, particularly within the YA category, then they almost definitely have an episode of 88CupsOfTea.

All the greats have been on it, including Victoria Schwab (her episode is an absolute must-listen, whether you’ve read her books or not), Holly Black, Sarah J. Maas, Holly Bourne, Elizabeth Gilbert, Cassie Clare, Renee Ahdieh, Marissa Meyer, Maggie Stiefvater, Sarah Dessen, Susan Dennard, E. Lockhart, Angie Thomas, Beth Revis, Marie Lu, Sabaa Tahir, Samantha Shannon, Maureen Johnson, Tamora Pierce. NEED I GO ON???

With over 130 episodes, a fair few of which are with literary agents and industry insiders, there’s definitely something for everyone, even if you can’t commit to listening to every single one. (I still haven’t listened to even half yet!)

The beauty of 88Cups is that it doesn’t matter what genre you read, or write, or whether you’ve even heard of some of the authors interviewed, they all have something to say that you will benefit from hearing. I can’t emphasise this enough, you will learn something and take away some little – or large – nugget of information, inspiration or motivation from each and every episode.

Yin has a way of making you feel like you’re listening to two old friends chatting, and she isn’t afraid to ask the big questions. You’ll hear about the guest’s childhood and upbringing, how they fell in love with books and started writing, what challenges they faced in making time for their writing around work or kids, or the years they spent in the query and submission trenches, and how they got their “big break”.

Ultimately, you’ll realise with every episode that you are not alone. Choosing to live a creative life and making a living from our art isn’t ever the easy option, but the passion we have for what we create makes it worthwhile. If you need a hit of inspiration, or a little reassurance that your art is valuable, or even a kick up the backside to pursue your passion, then just listen to an episode of 88Cups and you’ll soon be back at your keyboard, with a cup of tea in your hand and a fire in your belly.

Lyndsey

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Writing and emotional blockages

Wow, six months really flew by! Sorry for the radio silence, I’ve been busy with work, being a mum to a now one-year-old (how did that happen?!) and actually reading again! After months of barely managing to pick up a book and read more than a sentence before my eyes drooped shut or someone needed me, I’m starting to get some time back for myself, and have even gotten back to my writing. (And maybe even blogging?)

I wanted to do a sort of update to my previous post On the Writer’s Block, in which I talked about writer’s block and what sorts of things can cause us to struggle to put words on the page, and how we can break through the blockage. I’ve been thinking recently about my own experience of writer’s block, and how I don’t think my past post went deep enough or covered enough of the broad spectrum of reasons for feeling blocked.

I won’t reiterate too much of what I said last time, so feel free to go and check out On the Writer’s Block and pop back to read this post. In a nutshell, I explained how perfectionism and performance anxiety can lead us to feeling unable to write, and the best way to get over the blockage is to keep writing – whether that’s free writing to get your thoughts and feelings out, or just slogging through the hard days, and fixing (or deleting) your work during the editing stage.

What I hadn’t considered when I wrote that post was the effect your emotional and mental health can have on your ability to write. Events going on in your personal life and struggles you may be facing can have a real impact on your writing, from causing you to feel blocked or even showing up in your stories, especially if you’re someone who works through their emotions and processes thoughts and experiences on the page.

In hindsight, this is what’s been going on with me for the last couple of years. Yes, years. I’ve only just realised after all this time what’s been preventing me from writing. I think I haven’t wanted to look too closely or acknowledge the problem, so I just put it to the back of my mind and carried on with my day to day life, all the while knowing something was missing and wishing I had the time, or the energy, or the headspace, to write.

But it wasn’t just about having the time, or the energy, or the headspace. Yes, those things are important and necessary, but I could have made time, I could have chosen to write when I felt awake and energised (rare, but it did happen on occasion!). I could have journalled, and meditated, and created some headspace in which to fit my stories. But I couldn’t. I couldn’t face looking too closely at why I was feeling blocked, or digging deep into my mind and heart to find the words for my story, because I was afraid of what I would find. Afraid to admit I was battling against my own mental health and struggling with anxiety.

For a little bit of background, my writing journey really started in 2016 when I got the idea for my first novel. I’d written a lot as a kid and a teen, but just for fun and never anything close to a full length novel. I actually wrote a poem in the style of Roald Dahl’s Revolting Rhymes at primary school, and when the Ofsted assessor came to visit the school my teacher showed her and she loved it and asked if she could take a copy to show at other schools. So that’s probably what gave me the bug for writing. I also wrote Harry Potter fan fiction, as I think all writers of my generation did (or do)!

In the summer of 2016 though, the idea for my novel THE FAIR QUEEN came to me when me and my husband moved house to a village near Sherwood Forest. And the compulsion to write a novel came from the fact that we were trying to conceive and having some difficulty, so I wanted a sort of project to distract myself while we tried and waited and hoped. We’d decided to get a dog, our beautiful German short-haired pointer Bailey, so I was walking her twice a day in these woods near our house, and the story just came to me. Whenever I was struggling with a scene or a plot hole I’d grab Bailey’s lead and we’d go for a stroll through the woods and I’d almost always come home with the scene fully formed in my head and it would just spill out of my fingers.

I took part in NaNoWriMo in November 2016, finished my first draft in January, rewrote through Camp Nano that April, and entered Pitch Wars in July 2017. I didn’t get picked, but I did have an amazing experience just entering, I won a mentor’s help with my first chapter, which resulted in me cutting several thousand words of padding off the front of my story, and learned so much invaluable information and knowledge about writing, editing, querying and the publishing industry. I would absolutely recommend entering to anyone with a completed manuscript. Even if you don’t get in, if you make the most of the community and the learning opportunity, you’ll come away a better writer and that’s a win in my book.

Right around the time I was waiting for the Pitch Wars mentees to be announced, I found out I was pregnant, and immediately it didn’t matter whether I got in or not. Not because I intended to stop writing or didn’t need the distraction anymore, but because I was so happy and relieved. But I wasn’t giving up on my writing or my dream to be published one day. And I always like to have a project on the go, to occupy my thoughts and distract me from my anxiety. (There’s that mental health beast again.)

I sent out a few queries in October, and even started outlining and drafting something new – a sort of YA contemporary that soon became a paranormal/fantasy as I realised I’m not that interested in reality and fantasy is where my heart lies. I wrote about a fifth of a first draft and then shelved that project. I sent out a few more queries for TFQ, received a few more rejections. Nice ones, some that said my submission stood out, but ultimately they weren’t interested.

And then my son arrived. This time the relief was palpable. After everything we’d gone through I’m not sure I believed everything would turn out OK, even to the very last second of my pregnancy. But here he was, and now I definitely didn’t have time to write, and if I queried and an agent was interested I wouldn’t have time to revise or go to meetings, so probably better not send any more queries. And suddenly another 6 months had passed and I hadn’t typed a single word.

It’s a chicken and egg situation for me, writing helped me manage the anxiety I suffered while we struggled to conceive, and then when I was pregnant and during the first year postpartum my anxiety was so bad that I wasn’t able to write at all. I’m not sure one can be blamed for the other, I think they go hand in hand, round and round in a vicious cycle, and there’s a balance that needs to be found in order for me to feel able to write.

I think I’ve found that balance now. I decided to start working on book two to THE FAIR QUEEN, which is called THE SOLITARY KING, because I wanted to get back to writing. I knew that making some time for myself would help my mental health, and returning to the world I created and love was easier than trying to start an entirely new project from scratch at a time when I was struggling just to think about writing. And it has made a huge difference, but I can’t credit writing with bringing me out of the black hole of anxiety I’ve been living in for a couple of years now, I think I needed to start to heal first before I could even consider writing again.

I’ve learnt that writer’s block isn’t as simple as running out of ideas, or being afraid that no one will like your book. It might be that you’re going through a really difficult time and your brain can’t comprehend creating a story right now, or that you’re scared to bare your soul on the page because it’s too raw, too painful. You might not be able to persevere through what you’re going through, you might need time, and other methods of self care to help you heal the wound that’s preventing you from writing that book you know is inside you.

And that’s OK. That’s more than OK. You will write again, one day, when you’re ready. There’s no rush. But the world needs your story, so please don’t give up. We’ll be here waiting for it when you’re ready to tell it.

Lyndsey

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Review: The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

Any other giant Mackenzi Lee fans in the house? If you haven’t read The Gentleman’s Guide to Vice and Virtue, where have you been? Get thyself to a reputable book store immediately! The Lady’s Guide to Petticoats and Piracy (winner of the best book title of the year award) is a companion novel that follows Monty’s sister Felicity in the aftermath of Gent’s Guide.

Spoiler warning – if you haven’t read TGGTVAV then read on at your own peril!

TL;DR Badass feminist Felicity Montague wants to study medicine, but no medical school will so much as interview her, simply because she is a woman. When she hears that an old friend is getting married to her idol, the infamous Doctor Alexander Platt, she heads off on a wild adventure in the hopes of joining him on his next expedition.

After getting into all kinds of shenanigans in book one, thanks to her brother Monty, Felicity is back to show us she’s an independent woman who doesn’t need a man to help her get into trouble – or out of it!

Everyone has heard stories of women like us, and now we will make more of them.

Felicity Montague

Since her return from Europe, Felicity has been living in Edinburgh and working at a bakery, hoping to attend the medical school there. After months of rejection, she returns to London to visit her brother and Percy, feeling completely dejected and demoralised.

As a last ditch attempt, she decides to send a letter to the London medical school suggesting she’d like to make a donation (after all, she is still a Lord’s daughter, they don’t need to know she’s been cut off by her father…). Once inside the door, she pitches her application to study at the school, demonstrating her intelligence, strength of character and proficiency in the medical sciences. Unfortunately, they still can’t see past her gender, and send her packing.

“You’re trying to play a game designed by men. You’ll never win, because the deck is stacked and marked, and also you’ve been blindfolded and set on fire.”

Simmaa Aldajah

When she hears that a childhood friend is getting married to her idol, eccentric scientist Doctor Alexander Platt, she concocts a hare-brained plan to travel to Germany and gatecrash the wedding in order to convince Platt to take her on as an apprentice on his upcoming expedition. And, in classic Felicity style, she does just that.

Almost.

With the help of a female pirate named Sim, and her oldest friend Joanna, Felicity sets out on an adventure that could lead to her discovering more than she ever imagined.

“In the company of women like this— sharp-edged as raw diamonds but with soft hands and hearts, not strong in spite of anything but powerful because of everything— I feel invincible.”

Felicity Montague

I loved this book. Felicity might not be quite as entertaining as Monty, but she’s smart and brave and sassy as hell. I absolutely loved all the feminist elements and quotes throughout, Mackenzi Lee put exactly what I’ve been thinking and feeling into much better words than I ever could, and I found myself nodding along and saying “Yes, girl!” out loud, alone in my car…

I gave Lady’s Guide 4 stars, it was such an enjoyable read and I flew through it. Seeing Felicity grow and realise that her version of being a strong, independent woman isn’t superior to Joanna’s, or any other woman’s, was really heartening. I’m glad Felicity ended up staying true to herself as well, rather than being forced to fit some romantic ideal. The cameos from Monty and Percy were really fun, and it was great (and also heartbreaking) to see what they’ve been up to since Gent’s Guide.

It only wasn’t a 5 star read simply because I loved Gent’s Guide just that little bit more, and I felt at times that Monty swept in and saved the day rather than Felicity getting herself out of predicaments. (Don’t get me wrong, there are plenty of instances where she does, it was a tiny niggle really).

Have you read Lady’s Guide yet? If you love petticoated swashbucklers and mostly accurate historical fiction, with just a pinch of the supernatural thrown in, you’ll adore this book. Go read it and let me know what you think!

Lyndsey

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Review: The Lady's Guide to Petticoats and Piracy by Mackenzi Lee